"Discovery and attribution are only the beginning of a long process of study. When standing before a work, one must approach it with humility: more often, it is the work that reveals our limits than the other way around. For this reason, returning to one's mistakes and recognising them is essential. Equally essential is dialogue and the support of colleagues, through which understanding develops. Only in this way do new approaches emerge, meanings become clearer, and study continues."
2004 | Turin
Degree in Art History
2004–2013 | Siena
Specialisation and PhD. Researcher at the Giuliano Briganti Photographic Archive.
2009 | Independence
Beginning of his activity as an independent scholar. Consultant for public and private institutions.
2017 | Publishing
Foundation of the Avere Disegno editorial series with EDIFIR Florence.
2022 | BIAF
Appointment as Vetting Expert for Old Master Drawings at the Biennale Internazionale dell'Antiquariato di Firenze.
A work of art speaks through multiple levels of interpretation, from style to iconography, from the surface of the object to its state of conservation. Stylistic analysis requires a trained eye capable of recognising the character of a brushstroke, the hand of a drawing, and the nuances that distinguish a master from his workshop. It is, above all, the ability to read the artwork and the evidence it reveals.
The study of written and published sources, documents, manuscripts, and provenance records. Research reconstructs the historical context of the artwork and strengthens its identity.
It is the moment of synthesis: the critical interpretation that opens the way to a deeper understanding of the artwork, restoring both the name of its author and its rightful place within the history of art. It is not merely an opinion, but the restoration of an identity.
“Driven by a constant interest in the understanding of visual culture, he considers scholarly dialogue an essential element of his work. He remains consistently drawn to the quality of the works themselves, rather than to the reputation of their authors.”
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