Luca Fiorentino

Art historian. Researcher. Connoisseur.

"Discovery and attribution are only the beginning of a long process of study. When standing before a work, one must approach it with humility: more often, it is the work that reveals our limits than the other way around. For this reason, returning to one's mistakes and recognising them is essential. Equally essential is dialogue and the support of colleagues, through which understanding develops. Only in this way do new approaches emerge, meanings become clearer, and study continues."

Luca Fiorentino

Old Master Drawings
& Paintings

The history of art is not merely an academic discipline, but an ongoing investigation. Luca Fiorentino’s path began with his degree in Turin in 2004 and developed further in Siena, where he completed his Specialisation and PhD while working closely with the vast archive of the Giuliano Briganti Library and Photographic Archive. These formative years shaped his eye within the discipline of attribution. In 2009, he chose the path of independence: a scholar able to move between libraries and private collections, collaborating with leading institutions such as the Fondazione Monte dei Paschi, the Dutch University Institute for Art History, and Castello Sforzesco. Specialising in paintings and drawings from the fifteenth to the nineteenth century, Luca has transformed research into a profession that supports collectors and museums. In 2017 he founded the editorial series Avere Disegno (EDIFIR), and since 2022 he has served as a Vetting Expert for the prestigious Biennale Internazionale dell’Antiquariato di Firenze. Today, his work stands at the intersection between the rigour of academic research and the dynamism of private collecting.

2004 | Turin

Degree in Art History

2004–2013 | Siena

Specialisation and PhD. Researcher at the Giuliano Briganti Photographic Archive.

2009 | Independence

Beginning of his activity as an independent scholar. Consultant for public and private institutions.

2017 | Publishing

Foundation of the Avere Disegno editorial series with EDIFIR Florence.

2022 | BIAF

Appointment as Vetting Expert for Old Master Drawings at the Biennale Internazionale dell'Antiquariato di Firenze.

The approach

Luca Fiorentino’s method is grounded in three principles that guide every attribution study.

Connoisseurship

A work of art speaks through multiple levels of interpretation, from style to iconography, from the surface of the object to its state of conservation. Stylistic analysis requires a trained eye capable of recognising the character of a brushstroke, the hand of a drawing, and the nuances that distinguish a master from his workshop. It is, above all, the ability to read the artwork and the evidence it reveals.

Research and studies

The study of written and published sources, documents, manuscripts, and provenance records. Research reconstructs the historical context of the artwork and strengthens its identity.

Identification

It is the moment of synthesis: the critical interpretation that opens the way to a deeper understanding of the artwork, restoring both the name of its author and its rightful place within the history of art. It is not merely an opinion, but the restoration of an identity.

Expertise

Projects

“Driven by a constant interest in the understanding of visual culture, he considers scholarly dialogue an essential element of his work. He remains consistently drawn to the quality of the works themselves, rather than to the reputation of their authors.”

Through the study of sources, Luca Fiorentino regards the artwork itself as the most powerful key to uncovering new meanings.

Fiorentino

Cabinet d’Expert

Art history, attribution and research
from the 15th to the 19th century.

CONTACTS

Firenze: Via San Niccolò 40 rosso
(by appointment)

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